WESU, Youth Radio and the Engaged University

Most folks in the Wesleyan world know about the deep roots that radio station WESU has in the community. WESU has been an important part of our engaged university for decades. I recently heard about a very cool project in our Middletown Youth Radio program led by students Harry Bartle ‘12, Maddie Neufeld ‘12, Aditi Shivaramakrishnan ‘12, and Ben Fitzelle ‘12,

Here is a synopsis based on a message from Harry Bartle sent before the break: “We submitted a pitch to Generation PRX about working with our kids to create a sort of sound profile about bullying in Traverse Square, the community adjacent to Hi Rise/Lo Rise. A few of our kids, Anthony (DJ Funny Bones) Jordan (DJ Skullkid) and Nyala (DJ Youngster) who are 13, 12, and 7 respectively, all residents of T-Square, will be working together to conduct interviews and gather material in the field that we’ll be editing together for a five minute piece due January 20th. Generation PRX has generously given us state of the art professional audio equipment to help us put this together, and we’ve just had our first “webinar” online meeting session. We’re all very excited (!) and we’re hoping to get as much material as we can in the coming weeks. And as a quick side note, we’re all seniors so we are looking for recruits who might be interested in keeping MYRP alive after we graduate, so anyone interested in helping out should email hbartle@wesleyan.edu or Maddie Neufeld at mneufeld@wesleyan.edu to get in touch.”

The Wesleyan connection to the children of Traverse Square is longstanding, and the connection through Middletown Youth Radio is powerful (and fun). I know these seniors would like to see even more students get involved!

 

 

 

Winter Research…More Work in Progress

In my last blog I wrote about several senior thesis projects on which Wes students have been working. Here are some others:

In art history, Erika Siegel is writing a history of Frederick Law Olmsted’s landscaping plan for the Capitol grounds in Washington, a plan much influenced by the Civil War.  Anne deBoer‘s thesis combines her majors in art history and environmental studies.  It is on the use of water technology in recent major works of Sir Norman Foster, with an emphasis on how Foster’s architectural designs deal with questions of sustainability.

The CSS seniors have, as is often the case, an eclectic crop of senior projects. A couple of years ago I read Chan-young Yang’s excellent CSS thesis on Francis Fukuyama’s understanding of civilization and history, and now Nick Quah is examining Fukuyama on the idea of a transhuman future. While Nick is pointed toward the future, Han Hsien Liew is doing a thesis (with history) on medieval Islamic political thought. Kathlyn Pattillo is writing on the role of the South African teachers’ union in educational reform, while Charmaine Chen is studying blogging and political change in China. And I was surprised to find a CSSer writing a film, but that’s what Mac Schneider is doing. His screenplay is about the trial of Salim Hamdan, Osama bin Laden’s driver.

In history, Rachel Tretter is working on Judeo-Christian ascetic traditions and fasting in early modern Europe. BJ Lillis is writing on native American identity in New England, while Aaron Forbath is working on settlers on the Plains. Moving much closer to the present, Jisan Zaman‘s thesis looks at  contradictions in US foreign policy during the Bangladesh War, focusing on the relation of the State Dept and the White House/NSC.

And here are three English department theses that could easily fall under the rubric of history or American studies – with two  looking at recent Wesleyan history. Harry Bartle is working on the connection between Ralph Ellison and Lewis Mumford and their comparable reactions to the transformation of New York City in the 1940s. Bridget Read is using the archive of Wesleyan Professor Fred Millett, who taught here from 1937-1958, to examine larger trends in American history and questions about what it means to tell a true story about the past. Caroline Fox is writing on Race and Student Radicalism: Wesleyan, 1989-1990. Her essay is based on numerous interviews and archival research, and it is sure to produce a fresh understanding of that turbulent time.

In economics, Gil Skilman reports that there is a “bumper crop” of a dozen honors theses writers this year. More than anybody in the department can remember! Here are just two from that stellar group: Ali Chaudhry is doing an econometric analysis of something that governments often don’t willingly reveal:  whether they are following a fixed or freely floating or managed floating exchange rate policy. Zachary Nguyen is studying the financial economics puzzle of why mergers and acquisitions leading to greater corporate diversification persist despite the fact that such diversification typically leads to lower stock values.

Of course, I’ve only mentioned a smattering of the projects being done as capstones this year. There are dozens more students preparing performances, working in labs, writing poems, stories and plays and many are helping each other out. In film, for example, most seniors are part of a crew on at least one film other than their own, and collaboration is a feature of much of the best work we see each year. I am hopeful that team capstones will be featured more prominently in future years.

A few nights ago, walking Mathilde around the Center for the Arts, I stumbled across some students taking a break. Sculptors, painters, printmakers and photographers are already working late into the night to prepare for their senior shows. And faculty artists, too, are burning the midnight oil. David Schorr has a show opening at the Davison Gallery in February, a show that will then open at Mary Ryan Gallery in Chelsea. Kari and I ran into David last night at the opening of Tula Telfair’s amazing painting exhibition, Out of Sight: Imaginary Landscapes at Forum Gallery in New York. We saw many colleagues at the gallery, and several students were there to celebrate the work of a great teacher and extraordinary artist!

 

 

 

Built Exclusively for Delight
The Chemistry of Time

Break? What Break? Research Continues…(Part One)

In early January each year, many students (and more than a few parents) start wondering about the length of the Wesleyan winter break. The holidays are over, and yet the semester won’t start for another few weeks. Although the campus is quiet (and just now, very cold), there are students in the library, the gym and the science labs already hard at work. The winter sports teams have been playing and practicing as they get ready for intense conference competition, and science research continues regardless of whether classes are in session.

And then there is that special class of students busily working on their senior theses and essays. Though most of these won’t be due until April, the winter break is a crucial time to make significant progress on challenging research topics. I’ve asked around for some examples of theses and essays in various sectors of the curriculum, and here is a sampling. I’ll be adding more later in the week.

In Theater, Sarah Wolfe is working on a thesis project entitled “The Role of Women in the War Play: Euripides The Trojan Women.”  In her essay, Sarah explores how adaptations of The Trojan Women have been used as anti-war plays in America, and she did her own adaptation with the play Lift Your Head, which was staged in December.  Emily Steck examines “the world’s oldest profession” by focusing on female transgression and agency through the lens of the whore in the performances of Lydia Thompson and the British Blondes, Mae West, and Annie Sprinkle.

In Literature, Laura Bliss is writing about Wallace Stevens’s late poems, especially those collected in Transport to Summer. Laura combines creative non-fiction with more traditional literary critical analysis to explore the way Stevens treats the idea and experience of summer. This sounds particularly good right now!  Brianna van Kan is writing a thesis about the underground culture of jazz in the Soviet Union in the 1950s and 1960s.  She will bring together all three of her majors (Russian, COL and Music) for this project. Christopher Wade is doing a poetry thesis that involves translation, literary analysis, and poetry writing, focusing on two major Russian poets. Matthew Alexander is translating Lost Modern Love, a postmodern play by Lord Schadt that he will also direct in a spring production.

In Music, Alan Rodi has written (that’s right, it’s finished) an opera about Mao Tse Tung. The characters are Mao, his wife, and a peasant couple who are trying to be good revolutionaries. Sean Curtice is  composing a piano concerto in the style of Mozart, and writing a paper about the Mozart piano concerti. Lana Lana is writing a big paper on Amir Pasaribu, the first modern composer of Indonesia, in the sense of writing a distinctive music that combines European techniques and instruments with Indonesian techniques and instruments.

In philosophy Sid Issar is writing a comparative study of Spinoza and Bhagavad Gita. In Science in Society, Kelsey Vela is doing an empirical study of the ways that experimental psychologists report on the race of their subjects. Erin Kelly is using case studies to examine the evolution of federal drug regulations in mid-twentieth century America and the influence of these regulations on contemporary medicine. Chris Russell is examining the standards of justification applied to the evidential uses of forensic technologies in criminal and civil trials.  Charlie Hanna is examining the introduction and reception of the most recent class of sleep medications, given FDA approval in 2001. He is charting the FDA approval process, the subsequent experimental and empirical reports on the medication, patients’ responses and media coverage.

As I said, this is just a sampling of some of the impressive work our students are doing for their capstone projects. I’ll be adding more examples that the Deans collected later in the week.

New Year’s Resolution: Make Stuff that Matters

The Huffingtonpost asked me to write something for their New Year’s Eve front page. Thinking back over the year can feel depressing, but one can also find a positive trajectory. And why not focus as we start 2012 on a simple commitment: make stuff that matters.

In the first half of 2011, we heard the word”deficit” in wave after wave of political discourse. The Republicans used it as a signifier of Washington’s lack of fiscal self-control — of an intellectually and morally bankrupt government that spent our money without concern for the views of those who had earned it in the first place. The “deficit” was real, and it was also symbolic of a failure to maintain an economy that promised a reasonable opportunity for creating a better future. Government spending was seen to be the problem because those who spent (and perhaps those who benefited directly from the spending) had no connection to how Americans made a living. Real work seemed completely divorced from massive expenditure because it was borrowing that enabled the spending. The collapse of the credit markets in 2008 and the bailout of the wealthiest institutions (and individuals) that followed underscored for many Americans that spending through borrowing created deficits, and that deficits robbed us of the promise of a better future. Raising the “debt ceiling” no longer seemed like a mere formality.

Sometime in the late summer the tide turned, and the wave of words concerning the evil of deficits receded before a wave of rhetoric on the production of inequality. Despite all the negative press about the “leaderless” and “agenda-less” Occupiers, the movement successfully repositioned the political conversation around how the richest 1% had been accumulating an ever-greater share of the nation’s wealth and political influence. This massive shift of wealth to a small percentage of the population was seen not as the result of hard work or great feats of productive imagination but as the result of policies (tax breaks, subsidies, bailouts)geared to bringing more advantages to the most advantaged. The system is rigged, and this denies most Americans any chance at a better future.

Throughout 2011, another current of conversation, less powerful perhaps than the cries of “deficits” or “inequality” but important nonetheless, had to do with “creativity and innovation.” Book after book explored the roots of individual genius, and pundits from all over the political spectrum opined on the ingredients of organizational innovation and the cultural components that make productive invention more likely. There was general recognition that we need not just products that were artfully put together, but platforms that would give rise to renewable cycles of innovation.

Platforms create new value rather than just borrow on the basis of past credit. A culture that simply borrows to maintain the status quo is doomed to fall apart. Spending without creativity is just depletion. Some of the rhetoric on deficits of the first half of 2011 recognized that. Innovation demands a culture of equal access so that “the best idea can win.” A society that is geared to protecting the powers of its most advantaged is also doomed — doomed to corruption and stagnation. Some of the rhetoric on inequality in recent months has rightly pointed this out.

Although talk of creativity can be vague, it can offer us a way of navigating the future with hope and purpose. Charting a course that includes innovation turns us toward practices of “making stuff that matters” rather than berating ourselves for failures to defend traditions, products or advantages that we have held in the past.

As we begin 2012, I trust we will remain wary of those who promise us that the future will be more secure if we borrow against the credit accumulated from the past, and that we will remain suspicious of those who tell us that freedom for the rich is freedom for us all. As we begin the new year, I trust that our interest in creativity will remain strong. Our fascination with innovation stems from our determination to keep our hopes for a better future alive, despite the well-justified fears of depletion and corruption. Innovation doesn’t just mean better gadgets – phones that are ever faster or music players that can hold more tunes. Innovation should mean creating stuff that matters: renewable energy that will power our industries without destroying the planet; medicines that will cure seemingly intractable illnesses; educational structures that will enable more of our citizens to engage in productive and meaningful work — and to become innovators themselves.

If we can learn from the critics of borrowing and of inequality, and if we can foster a culture of innovation, perhaps we can make the new year one of promise and fairness, of learning and creativity. It’s almost New Year’s Eve, a time to be hopeful. And then it will be the time to work on realizing those hopes.

New Year’s Eve in Middletown: Main Street Celebration!

Thanks to Mark Masselli (Hon ’09, P ’15, P’16), Community Health Center and a group of dedicated sponsors (Wesleyan included), there is going to be a great new tradition starting in Middletown on December 31st. Midnight on Main promises to be a great family-friendly event starting at 3 PM and ending with tolling of the bells as the year turns. There are more than a 100 events up and down Main Street. A fireworks extravaganza is planned for 6 PM.

For more information about Midnight on Main, check out this website.

UPDATE: NEW YEAR’S DAY

(photo from middletowneye)

 

It was great to see the happy crowds wandering around Main Street around the time of the stupendous fireworks display. All the restaurants were filling up, as were the many shows that were attracting folks from all over Central Connecticut. As I walked back up Washington Street to campus, I saw smiling groups emerging from Kidcity Children’s Museum. I was reminded of the museum’s founding director Jennifer Alexander’s (‘ 88, Hon ’09, P ’15, P’16) important work here in Middletown for over 20 years. It was wonderful to see Mark’s and Jen’s vision for Midnight on Main turn into such a successful even last night. Happy New Year!!

 

Year-End Thanks

Looking back on the year, I feel so grateful for the combination of caring and ambition, cooperation and intensity that marks our Wesleyan community. I think of the wonderful welcome our athletes gave the new students on move-in day, and of the stellar seasons that our men’s and women’s soccer teams had this fall. I think of the powerful theatrical experiences on campus – from the joy of musicals to the awe of classic dramas re-imagined by our students and faculty. Perusing the virtual faculty bookshelf, I admire the scholarly achievements of our professors, from studies of Frank Lloyd Wright to genealogies of racism, especially since I know well the contributions our scholar-teachers have made to the intellectual development of their students. And every day I am grateful for the contributions of the Wesleyan staff, who make all these achievements possible. The hard work of our staff, from reading admission files to planning graduation events, is the foundation of so much of what we are able to accomplish.

The Board of Trustees continues to guide the institution with affection, intelligence and generosity. Trustees, faculty, alumni, students and staff are dedicated to ensuring that our university remains at the forefront of forward-thinking liberal arts education. I am grateful for being part of this team.

I wish you all a restful break, a joyful holiday and a very happy new year.

Art Encounters

Walking back from my final yesterday, I encountered Timmy Lee’s ’12 Sculpture 1 project:

Big smiles and wonder.

 

And then the graceful weave by Claire Ball ’15 at the entrance to the Center for the Arts:

Familiar walk suddenly new.

 

Art encounters…always possible at Wes

Working on Wesleyan’s Curriculum

In Wesleyan 2020 we have listed several objectives under the overarching goal of “energizing Wesleyan’s distinctive educational experience.” The first of these has to do with refreshing the curriculum by building on strengths. Here is a list of the specific ways in which we’ve committed to do that, with brief comments on how things are going.

1. Develop vibrant first-year program

    I have been working with Academic Affairs to develop a consensus on the core elements of what we want students to learn in their first-year seminars. Next year we will able to ensure that our seminars are structured so as to achieve these learning goals, whatever the specific content of the course.

    2. Develop meaningful capstone experiences for all students

    Last year the faculty passed a resolution to encourage all students to participate in a meaningful senior academic experience. All departments have offerings in this regard, and there are cross-departmental opportunities as well. This semester we have been working on making capstones more visible to students so that everyone has a chance to work on a project that is a transition from Wesleyan to whatever is next.

    3. Spur creativity and innovation across the university

    Over the past year we have had a series of structured conversations with the board, faculty and students about creativity and innovation at Wesleyan. There are differences of opinion (no surprise) about what counts as creativity and innovation, though everybody seems to think that our university can become even more imaginative and inventive. We will soon post a report on creativity across the curriculum, which may lead to more specific proposals.

    4. Develop civic engagement opportunities across the university

    We’ve been focused on this for some time now, and I’m pleased with the progress of the Allbritton Center for the Study of Public Life, the Patricelli Center for Social Entrepreneurship and the development of a variety of internship possibilities.

    5.  Bolster interdisciplinary work in ways that complement departmental strengths

    The past few years have seen the flowering of certificate programs that cut across departments, and this year the faculty is considering the possibility of adding minors. This semester I met with the directors of COL, CSS and COE to talk about the strengths of these interdisciplinary colleges. Should we have more interdisciplinary colleges? We’ve also received a major endowment grant to support the Center for the Humanities.  But there are difficulties in having the same faculty serve disciplines and these various programs. One person can have many interests, but that person can only be in one place at one time! We are working with Academic Affairs and faculty groups on this tough problem. (Maybe we’ll find a way of bending the laws of physics!)

    6. Extend global reach of the curriculum

    During my trip to China with Wesleyan colleagues the value of international partnerships became even more apparent. But how should we measure success in this area? Faculty and students are doing more international study. Even American Studies defines itself as “post-national.”

    7. Invest in technology to support and inspire academic innovation

    We heard some great reports recently on how the Quantitative Analysis Center is  using technology in the classroom in very interesting ways. Across the curriculum, are we using technology in a robust way to enliven our classes? We are searching now for a new Chief Information Officer, who should be of help in this regard.

    8. Improve assessment mechanisms to regularly monitor student learning

    Every department has been asked to consider this issue, and some of them have developed interesting protocols for understanding how students regard what they’ve learned in and out of the classroom. We are also running a pilot with advisors to think about assessment within the advisor-student exchange.

    9. Improve course access

    We are a university that prizes the learning that goes on in small classes, but that also means that many students won’t have access to the particular class or instructor they want. We have been adding many classes to the curriculum to deal with this issue, but we know there is more work to be done. We are particularly focused on ensuring that students have early access to gateway courses in the most popular areas of the curriculum.

     

    The work to refresh Wesleyan’s curriculum happens every day of the semester as faculty and students work hard at the joint endeavor of learning. Students begin their final exams today, and faculty are already busy writing comments on papers or evaluating experiments and performances. They are already enlivening the curriculum with their creativity, rigor and engagement. 

    Remembering Bob Burnett ’62 and the Highwaymen

    I often celebrate the musical culture generated by the students, faculty, and staff at Wesleyan. Indeed, I’ve told prospective students to check out the music scene here if they really want to understand the personality of our school and to compare it with other places in which they are interested. I thrilled to hear Persephone Hall sing the national anthem at a football game, to listen to Sam Friedman ’13 play piano anywhere, or to marvel at the vocal ingenuity of our a cappella groups. I’m told that Eclectic still controls the music scene in Brooklyn (hence, the world), and I take great pride in the rock ‘n roll chops of Wesleyan’s Treasurer (John Meerts), Provost (Rob Rosenthal), head of the faculty (Gil Skillman) and dean for academic advancement (Louise Brown). Don’t even get me started on the all-star musicians in the Music Department! From the experimental to the traditional, they play with nuance and intensity.

    This past week, we lost a storied voice in the chorus of Wesleyan’s music history. Bob Burnett died on December 7 at his home in Rhode Island. Bob and four other frosh were told to put on some entertainment for their fraternity in 1958, and they decided to become a folk band. While they were still undergraduates they had a #1 hit with their version of “Michael, Row the Boat Ashore.”

    Bob Burnett is at the lower left. After graduating Wes he went to Harvard Law School, and it looked like he’d left the music business behind. But more than three decades after that freshmen concert, the original Highwaymen started performing and recording again — and winning great praise! I started hearing about Bob and the Highwaymen almost on my first day on the job at Wes. They inspired friendship and devotion. They still do.

    I took the photo here from Bob’s obituary in the New York Times. You can read more about the Highwaymen here and here.

     

     

    Fall Phi Beta Kappa Inductees — An Extraordinary Group!

    Yesterday I participated in one of my favorite events, the December induction ceremony for Phi Beta Kappa. The thirteen seniors we recognized have all excelled in their studies, and they have contributed mightily to the campus culture of inventive, rigorous work. All of these students have faculty mentors who are proud of them, who cheer them on, and who are among the first ones to acknowledge their accomplishments. Staff members, too, have contributed to their success, and it was wonderful to see them at the ceremony, beaming with pride. In Yiddish we call this kvelling, a feeling of fullness from pride and happiness, a gushing of pleasure in someone else’s accomplishment. There was plenty of kvelling at the ceremony today!

    Here are the thirteen new inductees:

    Brittany Laine Baldwin-Hunter
    Biology

    Alicia Doo Castagno
    American Studies

    Ali Khalid Chaudhry
    Economics/Mathematics & Computer Science

    Lee Solomon Gottesdiener
    Chemistry/Neuroscience & Behavior Program

    Zin Lin
    Mathematics & Computer Science/Physics

    Cassidy Siegel Mellin
    Neuroscience & Behavior Program/Psychology

    Rachel Leah Merzel
    Chemistry

    Emma Kathryn Mohney
    English/Romance Languages & Literatures

    Emma Elaine Paine
    English

    Reed Leon Sarney
    Mathematics & Computer Science

    Allegra Stout
    Feminist, Gender & Sexuality Studies/Psychology

    Brianna Megan van Kan
    College of Letters/Music/Russian Languages & Literature

    Kathryn Emily Wagner
    Biology/Molecular Biology & Biochemistry